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Wind-up Toy - Game Web

A wind-up toy is any toy that is powered by a spring that is tightened by turning it.A wind-up toy is any toy that is powered by a spring that is tightened by turning it. After release, the spring tries to get in it's original, untightened position, and makes the small toy go as well.

Usage

Wind-up toys are used as a simple, yet useful way to make a toy move with just a simple form of powering it. Most wind-up toys are made of plastic and are sold by a variety of companies, such as Hans Novelty.

History

Wind-up toys date far back into history, into the fifteenth century. Karel Grod, a German inventor, created some of the first wind-up toys, including a metal fly and a mechanical eagle. Also, in 1509, Leonardo da Vinci created a wind-up lion as a greeting for Louis XII in Italy. Wind-up toys were at first for only royalty, and were much more elaborate, with a very complex system of gears and springs. René Descartes also created a life-sized wind-up human girl to prove a theory that all animals were very complex machines. However, as legend goes, the mechanical girl was thrown overboard after a man was frightened by it.

After the much larger, elaborate wind-up machine art declined in interest, wind-up toys were created very cheaply and in very large numbers by the 1800's. Wind-up machines then became known as wind-up toys, and were designed in all different forms to move around.

Leonardo da Vinci

Leonardo di ser Piero da Vinci (April 15, 1452 – May 2, 1519) was an Italian polymath; a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer. Born at Vinci in the region of Florence, the illegitimate son of a notary, Piero da Vinci, and a peasant girl, Caterina, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan where several of his major works were created. He also worked in Rome, Bologna and Venice, spending his final years in France at the home given to him by King François I.

Leonardo has often been described as the archetype of the "Renaissance man" or universal genius, a man whose seemingly infinite curiosity was equalled only by his powers of invention. He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived.

It is primarily as a painter that Leonardo was and is renowned. Two of his works, the Mona Lisa and The Last Supper occupy unique positions as the most famous, most reproduced and most parodied portrait and religious painting of all time, their fame approached only by Michelangelo's Creation of Adam. Leonardo's drawing of the Vitruvian Man is also iconic. Perhaps fifteen paintings survive, the small number due to his constant, and frequently disastrous, experimentation with new techniques, and his chronic procrastination. Nevertheless these few works, together with his notebooks, which contain drawings, scientific diagrams, and his thoughts on the nature of painting, comprise a contribution to later generations of artists only rivalled by that of his contemporary, Michelangelo.

As an engineer, Leonardo conceived ideas vastly ahead of his own time, conceptualising a helicopter, a tank, concentrated solar power, a calculator, and the double hull, and outlining a rudimentary theory of plate tectonics. Relatively few of his designs were constructed or even feasible during his lifetime, but some of his smaller inventions, such as an automated bobbin winder and a machine for testing the tensile strength of wire, entered the world of manufacturing unheralded. As a scientist, he greatly advanced the state of knowledge in the fields of anatomy, civil engineering, optics, and hydrodynamics.

René Descartes

René Descartes (March 31, 1596 – February 11, 1650), also known as Renatus Cartesius (latinized form), was a highly influential French philosopher, mathematician, scientist, and writer. He has been dubbed the "Father of Modern Philosophy," and much of subsequent Western philosophy is a response to his writings, which continue to be studied closely. His influence in mathematics is also apparent, the Cartesian coordinate system that is used in plane geometry and algebra being named for him, and he was one of the key figures in the Scientific Revolution.

Descartes frequently sets his views apart from those of his predecessors. In the opening section of the Passions of the Soul, a treatise on the Early Modern version of what are now commonly called emotions, he goes so far as to assert that he will write on his topic "as if no one had written on these matters before". Many elements of his philosophy have precedents in late Aristotelianism, the revived Stoicism of the 16th century, or in earlier philosophers like St. Augustine. In his natural philosophy, he differs from the Schools on two major points: first, he rejects the analysis of corporeal substance into matter and form; second, he rejects any appeal to ends—divine or natural—in explaining natural phenomena. In his theology, he insists on the absolute freedom of God’s act of creation.

Descartes was a major figure in 17th century continental rationalism, later advocated by Baruch Spinoza and Gottfried Leibniz, and opposed by the empiricist school of thought consisting of Hobbes, Locke, Berkeley, and Hume. Leibniz, Spinoza and Descartes were all versed in mathematics as well as philosophy, and Descartes and Leibniz contributed greatly to science as well. As the inventor of the Cartesian coordinate system, Descartes founded analytic geometry, the bridge between algebra and geometry, crucial to the invention of calculus and analysis. Descartes' reflections on mind and mechanism began the strain of Western thought that much later, impelled by the invention of the electronic computer and by the possibility of machine intelligence, blossomed into the Turing test and related thought. His most famous statement is: Cogito ergo sum (French: Je pense, donc je suis; English: I think, therefore I am), found in §7 of part I of Principles of Philosophy (Latin) and in part IV of Discourse on the Method (French).

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